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  • 1.
    Aarna, Emilia
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Industridesign.
    Bind: En fåtölj för Stockholms gemensamma vardagsrum2023Independent thesis Basic level (degree of Bachelor of Fine Arts), 25.5 hpOppgave
    Abstract [sv]

    I mitt examensarbete har jag undersökt hur man kan designa en bekväm sittmöbel för offentlig plats, så att den kan produceras och brukas på ett hållbart sätt. Detta är extra viktigt i miljöer där möbler slits i hög takt, och där man i dagsläget bortprioriterar reparation och låter möbler stå och förfalla. I projektet har jag arbetat platsspecifikt med Stockholms stadsbibliotek, men designat med tanken att den kan passa i flera olika miljöer. Detta examensprojekt presenterar ett förslag på hur företag och kommuner kan ställa om till ett mer cirkulärt sätt att bruka möbler. Designförslaget som presenteras är ett alternativ till en stoppad fåtölj. Bind är designad för att kunna produceras och brukas på ett hållbart sätt, så att den kan få ett långt och värdigt liv och bidra till en cirkulär ekonomi.

    Fulltekst (pdf)
    fulltext
  • 2.
    Abaitua Knight, Alicia M
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Industridesign.
    Work on track!: A train interior design concept to meet contemporary work trends and needs2023Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave
    Abstract [en]

    In a future vision for rail travel, trains will be designed as an activity-based whole space, with different areas for various activities, such as relaxing, socialising or family bonding. My degree project, in collaboration with SJ, proposes a concept carriage dedicated to work, analogous to spending a day at a mobile coworking space. By recognising the new ways of working, this carriage will cater for the needs of different individuals and various types of work and will include private digital meeting spaces, group compartments, collaborative open spaces and cocoon-like seating options in quiet areas. Unlike other modes of transportation, trains allow for passengers to navigate and experience different spaces. By enhancing the use of space and incorporating amenities that improve the user experience, I aim to transform the perception of long train journeys from tedious to exciting and allow a more seamless and efficient way of getting work done while travelling. Ultimately, this degree project encourages sustainable travel through user-centred design. 

    Fulltekst (pdf)
    WorkOnTrack_AliciaKnight_2023
  • 3.
    abbevik, elin
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Industridesign.
    Mind Wander: A design project in the field of social sustainability, aiming to create awareness about our imagination in today ́s society.2017Independent thesis Advanced level (degree of Master (One Year)), 20 poäng / 30 hpOppgave
    Fulltekst (pdf)
    fulltext
  • 4.
    Abou Chakra, Rima
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Experience Design.
    The personal, the global, and the uncertain: Alternative design strategies for living with uncertainty2014Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave
    Abstract [en]

    Can we change the way we imagine and relate to the risks of our common world, such as plastic pollution, nuclear threats, climate change or economic crisis? With this question at heart, this thesis discusses our interaction with the mediated, and often distant, global complexities and risks.

    Following the perspective of the spectator and consumer, this study weaves together literature with stories from culture, media, design and entertainment. It examines the relationship of the personal to the global by outlining five critical looking lenses focused on distance, emission, contact, disruption and invisibility.

    The resulting project articulates speculative design strategies for reconfiguring our relation to two select global risks; the nuclear contamination threat and plastic pollution. What if these scenarios were real, what if we felt these values, how would the world be different? By questioning the rational, these narratives aim to trigger the imagination of alternative possibilities, and requestion our current global dilemmas.

  • 5.
    Abrahamsen Egenes, Else
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Inredningsarkitektur & Möbeldesign.
    Organising of Space: about a orphanage in Tanzania2014Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    In my BA project, I travelled to Tanzania with a MFS stipend and experienced humanitarian architecture up close - by following architectural group Asant Collective´s project in Tanzania: a new Children Centre for a small non-governmental organization called ECONEF. 

    I have worked with social questions / responsibilities regarding our role as interior architects in developing countries - often feeling like a anthropologist.

    In my design part, I have re-drawed the layout for ECONEF´s planned new orphanage after a analyse of the existing orphanage, culture and traditions.

    Fulltekst (pdf)
    Organizing of Space - Else Abrahamsen, BA Konstfack 2014 - Interior Architecture
  • 6.
    Abrahamsson, Axel
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Industridesign.
    Abstang: Den normbrytande ridhjälmen med fokus på säkerhet, funktion och ändamålsenlighet2020Independent thesis Basic level (degree of Bachelor of Fine Arts), 20 poäng / 30 hpOppgave
    Fulltekst (pdf)
    fulltext
  • 7.
    Adborn, My
    Konstfack, Institutionen för konsthantverk (KHV), Textil.
    Förnimmelsens besiktning2016Independent thesis Basic level (degree of Bachelor of Fine Arts)Oppgave
  • 8.
    Adenfelt, Elin
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Industridesign.
    Successful sustainable design2005Rapport (Annet vitenskapelig)
    Fulltekst (pdf)
    fulltext
    Download (pdf)
    Research summary
  • 9.
    Adolfsson, Klara
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Industridesign.
    Unheard sound: Ett projekt om att bjuda in unga tjejer, trans- och ickebinära personer till den elektroniska musikscenen och låta de ohörda ljuden höras2023Independent thesis Basic level (degree of Bachelor of Fine Arts), 25.5 hpOppgave
    Abstract [sv]

    Tänk vad mycket vi missar. Så många människors konstnärskap, historier, kunskap, ljudbilder som inte ges utrymme i vår värld.

    I Sverige är två av tio låtskrivare (Sveriges Radio 2022) och tre av tio av de anställda inom techbranschen (Statistiska Centralbyrån 2020) kvinnor. Hur låter de ljud vi ännu inte hört? Unheard Sound vill göra de ohörda ljuden hörda.

    Jag har i detta projekt, med personlig erfarenhet av musicerande, undersökt hur kvinnor, ickebinära och transpersoner kan bjudas in att delta i den elektroniska musikscenen för att göra musik- och techbranschen mer jämställda. Projektet har resulterat i en hårdvarusynth som vill utmana dagens normer kring hur en synth ska vara utformad. Ett fokus på tekniken gör att makten över hur ljudet ska låta tilldelas användaren.

    Designprocessen har styrts av intervjuer med kvinnor verksamma i musikbranschen samt workshops med en grundskola och en HBTQ+-ungdomsgård.

    Fulltekst (pdf)
    fulltext
  • 10.
    Ahl, Zandra
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Keramik & Glas.
    The National Museum of Stockholm and I - examined2013Inngår i: Artists work in museums: histories, interventions, subjectivities / [ed] Mathilda Pye, Linda Sandino, London: Wunderkammer, 2013, s. 177-186Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 11.
    Ahlgren, Ida
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Inredningsarkitektur & Möbeldesign.
    Blyerts, linje, yta: en studie om att formge skåp för mönster2013Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    For my project, I was inspired by old decorative painting traditions and I chose to put them in a more modern context. I am inspired by the decorative approach of handling the surface and by letting patterns and decorative elements take the limelight. In the project, I investigate the lines and the surface and how they form patterns together.

    I want craft to meet function and then to bring these two elements together. My work with the furniture that my project resulted in was based on the body. I want it to be a meeting of the body, the mind and the materiality of the furniture.

  • 12.
    Ahlsén, Emely
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Ädellab/Metallformgivning.
    Konst som kommunikation?2005Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
  • 13.
    Ahlström, Alexander
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Industridesign.
    Morakniv - 3 Designspår För Ekologisk Hållbarhet.2020Independent thesis Basic level (degree of Bachelor of Fine Arts), 20 poäng / 30 hpOppgave
  • 14.
    Ahlén, Ellinor
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Grafisk design & illustration.
    Trollbunden2023Independent thesis Basic level (degree of Bachelor), 20 poäng / 30 hpOppgave
    Fulltekst (pdf)
    fulltext
  • 15.
    Ahmad, Aziza
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV).
    Aziza's Friendship Compendium, 1st Edition (Annotated and Expanded)2021Independent thesis Advanced level (degree of Master (Two Years)), 80 poäng / 120 hpOppgave
    Abstract [en]

    Aziza's Friendship Compendium, 1st Edition is my illustrated textbook that is part-compendium, part-manifesto. It provides a social, cultural and political analysis of friendship as an inherently anti-oppression, radical tool of resistance. 

    This study of friendship investigates the form and function of friendship, as well as how neoliberalism and the patriarchy cause friction in its functioning, and the ultimate fantasy of friendship that is possible through its untangling of systems of oppression.

    The Annotated and Expanded version of the Compendium shared here details the process and outcomes surrounding this publication and my master's degree project as a whole. This project is an argument for friendship, a celebration of friendship, a dissection of friendship and a resurrection and recontextualisation of friendship. 

    ˜”*°•♥ I hope you & your friends enjoy it ♥•°*”˜

    Fulltekst (pdf)
    Aziza’s Friendship Compendium 1st Edition (Annotated & Expanded)
  • 16.
    Ahmed Bäckström, Siri
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Grafisk Design & Illustration.
    Five picture books2011Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave
  • 17.
    Ajling, Niklas
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Inredningsarkitektur & Möbeldesign.
    Ajron: ett försök att få ljud till rum2016Independent thesis Basic level (degree of Bachelor of Fine Arts)Oppgave
  • 18.
    Akabane, Miwa
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Textil.
    Pieces of wood, Pieces of daily life,: Storytelling pattern is an endless chain of imagination2012Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave
    Abstract [en]

    Daily life resembles a textile pattern. Both are built on forever by repeating things. Both transform every second by the effect of chance.The repetition of pattern relaxes us, and the appearance caused by the chance inspires us. Both trigger a chain of imagination in unique harmony. Textile pattern is a medium to express the chance. Any pieces of daily life become a pattern. The pieces of daily life, which are discovered by the “third eye” (different angle than usual), become a point of departure of the chain of imagination. The viewers have freedom to interpret the design in the way they want. They connect their personal memories with the design, which makes the differences in reaction. The story continues to be narrated while transforming its appearance. Storytelling is a succession from designer to viewer, as if to draw a spiral. One day, I took pieces of wood. They had lines on their surface. Each line had a unique shape because they were a part of an annual ring. I saw them like a human fingerprint. There was nothing the same. Daily life as ordinary, but special days. There is nothing the same in a usual day. Pieces of wood are pieces of daily life, it is a point of departure for a chain of imagination. I narrate a story of it in textile pattern. Storytelling pattern is an endless chain of imagination.

  • 19.
    Akabane, Miwa
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Textil.
    Storytelling pattern is an endless chain of imagination2012Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave
    Abstract [en]

    Daily life resembles a textile pattern. Both are built on forever by repeating things. Both transform every second by the effect of chance.The repetition of pattern relaxes us, and the appearance caused by the chance inspires us. Both trigger a chain of imagination in unique harmony. Textile pattern is a medium to express the chance. Any pieces of daily life become a pattern. The pieces of daily life, which are discovered by the “third eye” (different angle than usual), become a point of departure of the chain of imagination. The viewers have freedom to interpret the design in the way they want. They connect their personal memories with the design, which makes the differences in reaction. The story continues to be narrated while transforming its appearance. Storytelling is a succession from designer to viewer, as if to draw a spiral. One day, I took pieces of wood. They had lines on their surface. Each line had a unique shape because they were a part of an annual ring. I saw them like a human fingerprint. There was nothing the same. Daily life as ordinary, but special days. There is nothing the same in a usual day. Pieces of wood are pieces of daily life, it is a point of departure for a chain of imagination. I narrate a story of it in textile pattern. Storytelling pattern is an endless chain of imagination.

    Fulltekst (pdf)
    fulltext
    Download (mov)
    Presentation
  • 20.
    Akner Koler, Cheryl
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Industridesign. Chalmers, Sweden.
    Form & Formlessness: Questioning aesthetic abstractions through art projects, cross-disciplinary studies and product design education.2007Doktoravhandling, med artikler (Annet vitenskapelig)
    Abstract [en]

    This research is based on empirical, embodied studies aimed to generate and regenerate aesthetic reasoning through three approaches:

    • an educational approach concerned with developing an aesthetic discipline, supporting a formgiving process aimed to create tangible artifacts.
    • an art-based approach supporting an open exploration of distortion and formlessness
    • a multi-disciplinary exploratory approach concerned with aesthetic experiences shared in laborations demonstrating complexity and transformation.

     

    The overall aim of the thesis is to explore different types of aesthetic abstractions that elaborate aesthetic reasoning about form and formlessness. The thesis develops methods and models for aesthetic investigation that support, challenge and go beyond the normative conceptions of beauty, with high relevance for teaching 3-D formgiving aesthetics and research by design methodologies. A central method applied throughout the entire research project is a cooperative inquiry method engaging students and experienced professionals as co-researchers in embodied/ interactive physical form studies and laborations.

     

    The content of the thesis is presented in three parts relating to the approaches above:

     -Part 1 defines an aesthetic nomenclature organized within a taxonomy of form in space. This aesthetic taxonomy is outlined in five levels based on essential aesthetic abstractions, emphasizing structure and inner movement in relation to the intention for the development of a gestalt. It originates from the educational program of Alexander Kostellow and Rowena Reed and has been further developed through an iterative educational process using a Concept-translation-form method, resulting in the Evolution of Form (EoF)-model. This EoF-model reciprocally weaves together geometric structures and organic principles into a sequence of seven-stages. To question the normative principles of beauty inherent in the EoF-model, a bipolar +/- spectrum was introduced at each stage to expand the model, aiming for a more inclusive approach to aesthetics.

     

    -Part 2, both challenges and expands the aesthetic reasoning in part 1 through i) solo sculptural exhibitions exploring properties of distortion and transparency in a constructivist art community ii) collaborative projects with physicists concerning infinity and studies of continuous complex curvatures and iii) explorative studies of material breakdown and non-visual studies with ID masters students at Konstfack. 

    - Part 3 problematizes the taxonomy of form by applying methods and results from a cross-disciplinary study of complexity and transformation involving artists, physicists, designers and architects. The three year study explored temporal events of changing phenomena and formlessness that did not comply with any traditional aesthetic norms. Based on the experience from 12 laborations, three models were developed: The Transformation-model and Framing the dialogue-model were developed to physically interact with as well as to document and discuss change and transformation through bipolar reasoning. The Aesthetic phase transition-model was developed to capture the particular properties expressed in a transformation and unify stable objects with changing events.  

     

    In conclusion, the thesis claims the value of an inclusive aesthetic mode of abstract reasoning in the scientific and design communities.  A provisional 3 modes of abstraction-model is presented placing numeric, linguistic and aesthetic modes of abstraction as interdependent within a spectrum from separation to contextualization. 

    Fulltekst (pdf)
    fulltext
  • 21.
    Akner Koler, Cheryl
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Industridesign.
    How haptic attributes evoke intentionality and generates meaning2019Inngår i: Konstfack Research Week: 28 Jan. - 1 Feb. 2019, Stockholm: Konstfack , 2019, s. 12-Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    Haptica is an artistic research project in the field of aesthetics that explores practical and theoretical connections between haptic attributes of the hand (making), nose, mouth and throat (tasting) and body (inner presence). The project aims to interlace aesthetic reasoning from sculpture and design to culinary art that emphasises active exploration and intentional form- and taste- giving processes. Haptic perception engages sensory experiences mediated through skin and kinaesthetic system.

    The project started with researching how air flows through space and is perceived by subtle sensory receptors under our skin and hair follicles, proceeding to tactile touch of material and grasping of material and instruments used in the creative making and performative process. It then shifted the practical and theoretical models from external space and physical materials to internal airflow through breathing, smelling and tasting that connects with soma aesthetics and reflection through inner presence. The project is a collaboration with Mischa Billing and Annika Göran Rodell, Campus Grythyttan at the School of Hospitality, Culinary Arts and Meal Science, Örebro University.

  • 22.
    Akner Koler, Cheryl
    et al.
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Industridesign.
    Kosmack Vaara, Elsa
    Göran Rodell, Annika
    Bjørnstad, Nina
    Aesthetic driven Co-creative writing method for short videos2018Inngår i: Design Microconference, 2018Konferansepaper (Fagfellevurdert)
  • 23.
    Akner-Koler, Cheryl
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK).
    A Note on Nano (FormGiving)2015Inngår i: Radical Re Re Re Re Re Rethinking / [ed] Maria Lantz, Staffan Lundgren, Stockholm: Konstfack, 2015, 1 uppl., s. 128-133Kapittel i bok, del av antologi (Annet vitenskapelig)
    Fulltekst (pdf)
    A note on Nano (FormGiving)
  • 24.
    Akner-Koler, Cheryl
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Industridesign.
    Collective dimension of Table Setting2020Konferansepaper (Annet vitenskapelig)
  • 25.
    Akner-Koler, Cheryl
    Chalmers University of Technology.
    Contextualizing aesthetic reasoning through a laboration on dendritic growth: Generating and regenerating aesthetic concepts through cross-disciplinary studies2006Inngår i: Proceedings: Symmetry festival 2006, Budapest Hungary August 12-18, 2006, 2006Konferansepaper (Annet vitenskapelig)
  • 26.
    Akner-Koler, Cheryl
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Industridesign.
    Expanding the Boundaries of Form Theory and Practice: Developing the Model Evolution of Form2012Inngår i: Shaping Design Teaching: Explorations into the Teaching of Form / [ed] N. Steinö & M. Özkar, Aalborg: Aalborg Universitetsforlag, 2012Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 27.
    Akner-Koler, Cheryl
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Industridesign.
    Expanding the boundaries of form theory: Developing the model Evolution of Form2006Inngår i: Wonderground - 2006 DRS International Conference / [ed] Ken Friedman et. al., Design Research Society , 2006, s. 79-92Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The design research community is beginning to recognize the organizing capacity of form as a scientific method of its own right. The aim of this study was to a) develop a pedagogically framed case study method that applied a participatory action research approach and b) create a 3-D form model bridging geometric- to organic structures. A 10-step-concept-translation-form method was developed which resulted in a “Evolution of form” model with two axes: The first horizontal axis presents a sequence of geometrically derived forms that gradually take on organic qualities of convexities and concavities. The second axis expands the model in a vertical dimension to include a bipolar spectrum at each stage. This vertical dimension opens up a dichotomy between congruent and incongruent properties in relation to original features of the geometric form.

    The discussion deals with the active formgiving process; the need for sculptural awareness and the inner sense of form; validity of the created method and model and finally the pros and cons of aesthetical abstractions that build on geometric references.

  • 28.
    Akner-Koler, Cheryl
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Industridesign.
    Three-dimensional visual analysis2007 (oppl. 3)Bok (Annet vitenskapelig)
    Abstract [en]

    This book aims to strengthen an understanding of the sculptural possibilities of form and space through developing a taxonomy and structure that recognizes and gives priority to the 3-dimensional perception of form and space. It is written so as to apply to both the active process of shaping 3-D form and space and analyzing any existing visual situation. Teaching in the Department of Industrial Design (ID) at Konstfack has given me great opportunities to further develop and document this visual study program. Using clay and paper models the students creatively question the "established terminology" and develop solutions that strengthen and/or add new concepts to the program.

    The foundation of this language is derived from the inspiring courses conducted by professor Rowena Reed at Pratt Institute in New York City and also in private Soho classes. Rowena Reed´s method of visual analysis taught her students to "think with their eyes" and to translate an inner vision into concrete experiences. Her challenging way of teaching combined creative exploration with an analytical search for the "Principles of visual relationships".The last pages of this book are dedicated to summarizing her background, philosophy, and educational vision. Moreover, in order to gain a historical perspective, a map is included that outlines the relevant art movements in the beginning of this century and some of the major events in the early work of Rowena Reed and her husband Alexander Kostellow. The Russian constructivist movement is the point of origin for the artistic tendencies and formal language developed by Reed and Kostellow and further developed in this book by Akner Koler.

    Fulltekst (pdf)
    fulltext
  • 29.
    Akner-Koler, Cheryl
    Chalmers University of Technology.
    Unfolding the aesthetics of complexity Cross-disciplinary study of complexity and transformation: Evaluation for the Swedish Research Council2007Rapport (Annet vitenskapelig)
  • 30.
    Akner-Koler, Cheryl
    et al.
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Industridesign.
    Bergström, Lars
    Complex Curvatures in Form Theory and String Theory2005Inngår i: Leonardo: Journal of the International Society for the Arts, Sciences and Technology, ISSN 0024-094X, E-ISSN 1530-9282, Vol. 38, nr 3, s. 226-231Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    The authors use new aesthetic criteria concerning structures and properties to explain parallel concepts within theoretical astroparticle physics and contemporary form/compositional research. These aesthetic criteria stem from complex curvature models developed both in string theory and in artistic perceptual research on transitional surfaces and concavities. The authors compare the complex curvatures of the mathematically derived Calabi-Yau manifold with one of Akner Koler's sculptures, which explores an organic interpretation of the looping curvature of a Möbius strip. A goal of the collaboration is to gain experience and insight into the twisting paradoxical forces in the 3D world and to explore the properties of transparency as applied to the Calabi-Yau manifold and a point cloud translation of Akner Koler's sculpture.

  • 31.
    Akner-Koler, Cheryl
    et al.
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Industridesign.
    Billing, Mischa
    Örebro University Campus Grythyttan, School of Hospitality, Culinary Arts and Meal Science.
    Göran-Rodell, Annika
    Örebro University Campus Grythyttan, School of Hospitality, Culinary Arts and Meal Science.
    Sharing Haptic Attributes: Model development of 4 haptic attribute models for hand, nose, mouth and, body2020Inngår i: Working Together 2020: Symposium on artistic research 2020, 2020Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    Our topic concerns how to conduct practice-based research between and within three aesthetic disciplines: sculptor, professional taster, and performative artist. We continue to work with the material and experiences developed during the 3-year VR-funded HAPTICA research project. Our plan is to actualise a few practical situations that show how we gained both a deeper aesthetic knowledge within our own artistic disciplines and grew more sensitive and knowledgeable about the challenges faced in the other disciplines. The overall topic has been to expand the field of aesthetics by including the proximity senses: tactile, haptic, smell, taste, and movement by conducting artistic research in haptic.

  • 32. Akoglu, Canan
    et al.
    Valtonen, Anna
    How Has Interaction Design been Perceived by Industrial Designers?2014Inngår i: Proceedings of DRS 2014: Design’s Big Debates / [ed] Lim, Y.-K., Niedderer, K., Redström, J., Stolterman, E., & Valtonen, A., Umeå: Design Research Society, 2014, s. 1412-1422Konferansepaper (Fagfellevurdert)
  • 33.
    Akoglu, Canan
    et al.
    Umeå universitet, Institutionen Designhögskolan.
    Valtonen, Anna
    Umeå universitet, Institutionen Designhögskolan.
    Yours or mine?: Role sharing between industrial design and interaction design2012Konferansepaper (Fagfellevurdert)
  • 34.
    Albin, Josephson
    Konstfack, Institutionen för konsthantverk (KHV), Ädellab.
    Modus Operandi2023Independent thesis Basic level (degree of Bachelor of Fine Arts), 20 poäng / 30 hpOppgave
    Abstract [en]

    Abstract

    Modus Operandi is an attempt to conceptualize and materialize the intriguing difference between owning an object and owning your own identity. To be mirrored by a physical object, something with a tangible presence, when your identity feels slippery and volatile. The work is approached by mixing contemporary and historical symbols and ornaments to convey a sense of how our heritage affects the present and the eclectic mix that constitutes a human being.

    This project is based on the creation of a modular system for making a candlestick, which will tell your personal history – both past, present and future. A modular object as an invitation to introspection. A domestic candlestick to mirror yourself, in your own home, to create a link between your inner self and the rest of the world. Traditional materials, such as bronze and brass are used to make the candlestick. Beyond this contemporary or somehow misplaced symbols and techniques are incorporated, in order to create tension between tradition and contemporary identity markers. Fueled by the inspiration from the alchemical holistic view of the world and using symbols one can view the candlestick as one’s own spiritual alchemical lab to conduct the Magnum opus.

    Fulltekst (pdf)
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  • 35.
    Alessandra, Cislaghi
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Inredningsarkitektur & Möbeldesign.
    YourTube2017Independent thesis Basic level (degree of Bachelor), 20 poäng / 30 hpOppgave
    Abstract [en]

    Oh, the good old metro stations! No matter how much we change, how much our society changes, they all look pretty much the same.

    We walk down the stairs, grab a coffee on the way, pass the gates, get to our platform and then we wait.

    But what if? What if it wasn’t like that? What if we could decide not to rush down to the platform, but instead enjoy the few minutes we have, before being drawn back to our daily life, in a nice, entertaining environment? A place for everyone to enjoy, not just those who own a metro card.

    After all, a station is still a public space, isn’t it?

    Fulltekst (pdf)
    fulltext
  • 36. Algotson, Stina
    et al.
    Akner Koler, Cheryl
    Örebro universitet, Restaurang- och hotellhögskolan.
    Nanoformgivning genom haptiska, estetiska laborationer2012Inngår i: Dokumentation och presentation av konstnärlig forskning / [ed] Torbjörn Lind, Stockholm: Vetenskapsrådet , 2012, s. 113-125Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    Nano design through haptic and aestethic laboratory experiments

  • 37.
    Alkacir, Hakan
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Industridesign.
    Sound in motion: Ljud, musik och aktivitet2017Independent thesis Basic level (degree of Bachelor), 180 hpOppgave
    Fulltekst (pdf)
    fulltext
  • 38.
    All, Aron
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Keramik & Glas.
    Kandidatexamensrapport2004Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
  • 39.
    Almer, Mathilda
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Textil.
    Sju sorters kakor: Lekmoduler för barn i förskolemiljö : Lek med maten!2005Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
  • 40.
    Amira, Julie
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Industridesign.
    If you care, you repair!: The backstage of repairability2023Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave
    Fulltekst (pdf)
    fulltext
  • 41.
    Anders, Sam
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Inredningsarkitektur & Möbeldesign.
    Sunsations2016Independent thesis Advanced level (degree of Master (Two Years))Oppgave
  • 42.
    Anderssen Sibthorp, Kari
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Ädellab/Metallformgivning.
    Ledade smycken med inspiration av tekniska detaljer2000Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
  • 43.
    Andersson, Alexandra
    Konstfack, Institutionen för konsthantverk (KHV), Textil.
    På tal om texturen2018Independent thesis Basic level (degree of Bachelor of Fine Arts), 20 poäng / 30 hpOppgave
    Abstract [en]

    Abstract

    I want to talk about tactile experiences, words that extend beyond touch. A full-body experience of space that begins with the senses, creating a collective understanding when everything is combined. We step in unbeknownst, activating our senses through the shapes and textures that enthral us. With our eyes, we access the dynamic of the room. 

    The foundation of my work is texture, so I explore the surface through it and textile is my chosen material because it allows me to do just that. By distorting, adding and pulling apart I can always get a new experience of it. In this project I work with three-dimensional patterns on the surface of the textile, and with subtle changes in volume I try to capture the light that falls on it and emphasis the texture to make the experience of it even richer.

    Fulltekst (pdf)
    På tal om texturen
  • 44. Andersson, Alice
    Baking the kitchen: An exploration of the aesthetic and pedagogical qualities of baking in a historical context2020Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave
    Abstract [en]

    In this thesis, through a vernacular understanding of design, I seek the role of baking as a method to physically and visually connect us to a more integrated and origin-aware relationship to food. The project is positioned in relation to today’s lack of knowledge of food production as well as the lack of communal spaces to exchange this knowledge in an urban context. By researching the Swedish rural folk interior and the kitchen of the welfare state, I explore the aesthetics of baking and its needs. I see the potential in how aesthetics can act as a motivational force and threshold reducer. This project is an investigation of how to reduce the distance between agriculture and the city with a focus on baking through engaging architecture.

  • 45.
    Andersson, Amandah
    Konstfack, Institutionen för konsthantverk (KHV), Textil.
    Elastica Symbiotica: In Search For the Garden of Fiber Delights2022Independent thesis Advanced level (degree of Master of Fine Arts (Two Years)), 80 poäng / 120 hpOppgave
    Abstract [en]

    This paper explores how craft in general, and the tradition of machine knitting in particular, can act as support and an alternative method within healing processes connected to stress and burn-out. The paper uses creative writing and an intimate approach to reach for and highlight metaphors and epiphanies within the making of craft, discussed from micro and macro perspectives. The search for the garden of fiber delights includes discussions and reflections about the artistic practice in relation to thinkers as sociologists Bruno Latour and the actor-network theory, and Hartmut Rosa, and his theory about an accelerating society and the need for resonance. Some of the artists referenced in the paper are Hilma af Klint, Yayoi Kusama and Niki de Saint Phalle. The main wonder of this project and paper is: what will happen when I as an artist start to respond to the seed of resonance within, and not follow the norms and expectations emerged by capitalism causing stress? How can this knowledge be applied in the meeting with other people in need of healing and rest?

    Fulltekst (pdf)
    fulltext
  • 46.
    Andersson, Annmari
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Ädellab/Metallformgivning.
    Agilitybana för turbinens hundrastfält: funktionell offentlig utsmyckning2004Independent thesis Advanced level (degree of Master (One Year)), 20 poäng / 30 hpOppgave
  • 47.
    Andersson, Annmari
    Konstfack, Institutionen för Design, Konsthantverk och Konst (DKK), Ädellab/Metallformgivning.
    Produktformgivning: en smyckekollektion2002Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
  • 48. Andersson, Camilla
    et al.
    Broms, Loove
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Industridesign.
    Disruptive forms2021Inngår i: Beyond efficiency: a speculative design research anthology in which we seek to deconstruct ecomodern imaginaries of urban sustainability trough exploring what more just and sustainable living environments could be like / [ed] Josefin Wangel, Elénore Fauré, Baunach: AADR , 2021, s. 70-71Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 49. Andersson, Camilla
    et al.
    Broms, Loove
    Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), Industridesign.
    Hagbert, Camilla
    Exploring Elasticity in the Home2021Inngår i: Beyond efficiency: a speculative design research anthology in which we seek to deconstruct ecomodern imaginaries of urban sustainability trough exploring what more just and sustainable living environments could be like / [ed] Josefin Wangel, Elénore Fauré, Baunach: AADR , 2021, s. 147-153Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 50.
    Andersson, Cecilia
    et al.
    Konstfack, IBIS - Institutionen för bild- och slöjdpedagogik.
    Sazdic, Miro
    Konstfack, Institutionen för konsthantverk (KHV), Ädellab.
    Perspectives on intersectionality through craft and pedagogy intertwined: An interdisciplinary collaborative exploration of education and production of knowledge as basis for social sustainability at Konstfack University College of Arts Crafts and Design2016Konferansepaper (Annet vitenskapelig)
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