Lucky Strike explores the dynamic interplay between control and surrender in the design process, focusing on the art of splitting wood. The journey began with the discovery of an aluminum rescue blanket in the barren landscape of Gotland, which was used to explore how natural forces shape material. The initial experiment led to a broader investigation into how randomness, often viewed negatively as a lack of control, can be a potent catalyst for innovation and discovery in design. At the core of the project lies the deliberate manipulation of wood through splitting, a process that reveals the material's intrinsic patterns and textures. By working along the grain, I allow the wood's natural properties to guide the design, resulting in unexpected and intricate forms that challenge the conventional smooth, polished surfaces typically associated with industrial wood products. This approach not only highlights the wood's inherent beauty but also fosters a deeper, more intimate relationship with the material. Throughout the project, there are parallels between my work and historical practices, such as the use of hand-split wood for building and roofing in the Nordic regions. These traditional methods, which preserve the natural integrity of wood fibers, are contrasted with modern industrial techniques that often strip away the material's properties. By revisiting these historical techniques, Lucky Strike advocates for a return to material-focused design practices that honor the natural properties of materials and embrace the transformative power of randomness.