Death remains one of the few mysteries untouched by humanity’s relentless pursuit of knowledge. While science can describe the biological processes that occur before and after death, it cannot yet unravel the deeper significance of this universal phenomenon. This essay explores the spaces between life and death through my artistic practice, focusing on themes of grief, mortality, nature and our relationship with non-human animals and all organic matter. It has emerged from an ecological world view as well as my personal experiences of mourning. I examine the anthropocentric worldview that places humans at the center and compare it with an ecocentric perspective that views all life as equally valuable. In the essay, this will be portrayed through the works I've created during my years at Konstfack as well as through different exhibitions and text based works. 

Through my work, I question the ethical dilemmas surrounding the use of animal remains as material. By working with elements such as wool, bones, teeth, and wood, I aim to highlight the inherent value and histories embedded in these materials. My practice invites dialogue between myself and the materials, acknowledging both the animal as well as the remains as individuals with their own narratives.