Wall-mounted ceramic, clock movement, acrylic.

The exhibition Groundhog Day travels through time and space. It looks at how repetition, recurring patterns, and nostalgia permeate our domestic life and daily routines but also opens up to new perspectives from the near future. The exhibition deals with both activity and inactivity. A performative aspect is emphasized in choreographic and performance based works, but also in the form of site-specific installations and the visitors' own encounter with objects, videos, sound, and paintings. Throughout, the act of repetition is dealt with as something in transition, never entirely repeated in its same form. Is repetition even possible, one might ask? And what is left behind – a vague memory, an uncertainess, a new fact? Or is it just another form of killing time?

Curated by Andreas Nilsson

9.12.2017–21.1.2018