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  • 4201.
    lambert, matt (Artist, Creator)
    University of Arts, Crafts and Design, Department of Crafts (KHV).
    Diamond, Erika (Artist, Creator)
    Self2023Artistic output (Refereed)
  • 4202.
    Hughes, Every Ocean (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    Sense and Sense2017Artistic output (Refereed)
  • 4203.
    Rune, Bella (Artist, Creator)
    University of Arts, Crafts and Design, Department of Crafts (KHV), Textiles.
    Skendöd/Suspended Animation2020Artistic output (Unrefereed)
  • 4204.
    Järdemar, Cecilia (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    Tsimba, Freddy (Artist, Creator)
    Songa Kinkulu #12022Artistic output (Unrefereed)
  • 4205.
    Järdemar, Cecilia (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    Tsimba, Freddy (Artist, Creator)
    Songa Kinkulu #22022Artistic output (Unrefereed)
  • 4206.
    Järdemar, Cecilia (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    Tsimba, Freddy (Artist, Creator)
    Songa Kinkulu #32022Artistic output (Unrefereed)
  • 4207.
    Järdemar, Cecilia (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    Tsimba, Freddy (Artist, Creator)
    Songa Kinkulu #52022Artistic output (Unrefereed)
  • 4208.
    Järdemar, Cecilia (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    Tsimba, Freddy (Artist, Creator)
    Songa Kinkulu projection #7 avec Imaye Kaboya Mansoni Lui2022Artistic output (Unrefereed)
  • 4209.
    Järdemar, Cecilia (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    Tsimba, Freddy (Artist, Creator)
    Songa Kinkulu projection #8 avec Paul Tekasala Mawa en Eglise Baobab2022Artistic output (Unrefereed)
  • 4210.
    Järdemar, Cecilia (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    Tsimba, Freddy Mavambu
    Songa Kinkulu: Reconstructing history together2021Artistic output (Unrefereed)
    Abstract [sv]

    En serie workshops och publika film och fotografi visningar av ett nydigitaliserat material, glasplåtsnegativ och 35 mm´s film som spelades in och fotograferades mellan 1907-1928 i Congo Centrale av missionärer utskickade av Svenska Missionskyrkan.

    Filmerna och fotografierna visades i de byar där de en gång skapades, och i workshops tillsammans med äldre människor boende i byarna samlades minnen in och kopplades till bildmaterialet. Under 5 kvällar hölls sedan visningar där workshopdeltagarna kunde dela med sig av sina minnen och kunskaper till resten av publiken. Språk var Kikongo.

  • 4211.
    Rune, Bella (Artist, Creator)
    University of Arts, Crafts and Design, Department of Crafts (KHV), Textiles.
    Soon Enough: Art in Action2018Artistic output (Refereed)
  • 4212.
    Cherinet, Loulou (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    State design2023Artistic output (Refereed)
  • 4213.
    Teorier, metoder och praktiker2011Book (Other academic)
    Abstract [sv]

    Denna publikation är producerad på initiativ av studenter på kursen "Teorier, metoder och praktiker" (30 hp) på Konstfack läsåret 2009-2010. Utsnitt ur essäer och gestaltning som producerades under kursen har bearbetats av respektive författare/konstnär för att rymmas inom trycksakens ramar. Var och en står för sin text, innehållsligt och språkligt.

    Innehåll:

    Förord / Tom Sandqvist

    Audiovisuella föreställningar och varseblivning / Joel Dittrich

    Meningsfulla mönster / Cecilia Enberg

    Ja, vad är målandets objekt? / Helena Hildur Waldén

    På riktigt eller på låtsas? / Frida Krohn

    How to build the Mississippi river in your own backyard / Åsa Lipka Falck

    Teori Metod Praktik / Karin Lundgren-Tallinger

    Konst - en lögn om det sanna / Birgitta Martin

    Metoden / Leo Nordgren

    Todorovs tolkningsmodell / Anna Sörensson

    Essais robotiques / Ulla West

  • 4214.
    Montero Bravo, Sergio (Creator, Researcher)
    University of Arts, Crafts and Design, Department of Design, Interior Architecture and Visual Communication (DIV), Interior Architecture & Furniture Design.
    Territorial Art, Design & Architecture2022Artistic output (Refereed)
    Abstract [en]

    This collaborative and cross-sectoral project addresses places, environments and spaces beyond mere functional urban endeavors. The project explores possibilities that become visible when public space is viewed from perspectives beyond the urban norm. The aim is to restore lost rural relations and to search for ways to leave the anthropocentric narrative. In the past, densification of cities has been considered synonymous with sustainable development, creativity and innovation. However, a one-sided urban focus leads to disarmament of rural habitats, and dissociation from human interdependence with non-human nature. Today, adaptation to global warming is dependent on the survival of the rural. Therefore, this artistic research project is primarily informed by activities in rural environments together with species and ecologies other than human and urban. The goal is to investigate how art, design and architectural interventions can foster oppositional narratives to anthropocentricity. What I present in this exposition are my most recent collaborations and a journey of professional metamorphosis to reach this goal. The result is a series of ongoing projects and processes that demonstrate how I explore places of communality, togetherness and mutual beneficial interdependency between species.

  • 4215.
    Fridh, Kristina (Creator)
    Academy of Design and Crafts (HDK), University of Gothenburg, Sweden.
    Zetterblom, Margareta (Creator)
    Femenías, Paula (Creator)
    Textile architecture: about sound absorbing facades and textiles in urban landscapes2019Artistic output (Refereed)
    Abstract [en]

    See digital folder in Swedish and English. The curtain and the carpet are used as metaphors and the interior and exterior change place. Facades are dressed by textile modules, and are based on architect Gottfried Semper’s principle of “dressing” (bekleidung) from the 19th century, but also on Japanese architecture where spaces are formed through layers that interact. The modules contribute to the absorption of sound in noisy urban environments. In the project, maps of “soundscapes” were made to find the sonic identity of a place, which then was analysed through the use of a number of sonic effects. This is to identify which sounds and sound frequencies that are desirable to dampen. Today, building facades are often designed to be perfect, and facade materials are replaced prematurely, even though the materials have a longer life. We want to change the approach to facade materials, and also demonstrate sustainable alternatives. The woven and hand tufted facade modules can temporarily patch facades during building renovations or become parts of new facades. Using textiles outdoors in facades is unexpected and evokes wonder – can a textile facade module resist outdoor climate? A starting point in the project has been to design textile “disturbances” in the urban landscape, which can give rise to positive experiences of something “non-perfect”. Here, the project connects to aesthetic approaches in the Japanese tea culture. The “incomplete” tea bowls, used in the Japanese tea ceremony, evoke wonder through the unsymmetrical form and the crackled glazing. In this way, bridges can be built between consciousness and objects. The exhibition also raises the question of what textile architecture is and can be. A slide show with various interpretations from both textile design and architecture is shown, for example projects by the design studio Inside Outside | Petra Blaisse and the architectural office Kengo Kuma and Associates.

  • 4216.
    Rune, Bella (Artist, Creator)
    University of Arts, Crafts and Design, Department of Crafts (KHV), Textiles.
    The 5th Project Biennial of Contemporary Art D-0 ARK Underground: Do secret services dream of a museum?2019Artistic output (Refereed)
  • 4217.
    Tan, Lisa (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    The Basque language in the dictionary, 2021* The English language in the dictionary (horma paper bertsioa), 2021**2021Artistic output (Unrefereed)
  • 4218.
    Rune, Bella (Artist, Creator)
    University of Arts, Crafts and Design, Department of Crafts (KHV), Textiles.
    The Great Longing: The Act of Painting2019Artistic output (Refereed)
  • 4219.
    Bärtås, Magnus (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    The Great Memory2023Artistic output (Unrefereed)
  • 4220.
    Bärtås, Magnus (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    The Strangest Stranger and Other Stories2016Artistic output (Refereed)
    Abstract [sv]

    Filmen The Strangest Stranger är en skildring av Johnnie Walkers (egentligen Joni Waka) liv – en judisk man i Tokyo och förebild för en karaktär i Haruki Murakamis roman Kafka på stranden. Johnnie Walker ser sig som den siste av ”de gamla judarna” i Japan då alla ur de generationer av judar som levt i Japan sedan början 1900-talet har lämnat landet. I sitt dagliga liv i Tokyo berättar han ideligen sin historia för vilt främmande människor som han möter på gatan och i olika sociala sammanhang.

    Den experimentella dokumentären The Strangest Stranger utgår från konstnärens möten med Johnnie Walker under närmare 20 års tid. Huvudpersonen absorberar fiktion i sitt liv och iscensätter sig själv. I en situation med socialt tryck verkar han ignorera den dominerande ordningen, samtidigt som han använder sin position av att var henna gaijin (”den konstigaste främlingen”) som en plats för frihet att skapa en vardagskomedi.

  • 4221.
    Rune, Bella (Artist, Creator)
    University of Arts, Crafts and Design, Department of Crafts (KHV), Textiles.
    The thought bubble/Suspended Animation: Artistic process and methods behind the installation "Suspended animation" expressed through 3d printed sculptures and archive material arrange in a cabinet of curiosity-manner2020Artistic output (Unrefereed)
    Abstract [en]

    One part of the exhibition Skendöd/Suspended animation at Carl Eld's studio museum, and also part of my research at Konstfack was the installation "Suspended animation" which used a scanning of a part of a gypsum study for the sculpture Titanen by Carl Eld's depicting a naked, muscular Strindberg. Through 3d modelling I transformed, or mirrored, the arm to reach both in and out. The arm was 3D printed and configured into two sculptures "Petite Titan in tension-Inferno" and "Petite Titan in Tension-.A dreamplay through the use of rubberbands to create a static equlibrium in a system of tension. The ars was also made into an animation playing on a monitor reflected in a glass suspended on a sculpturer's cavalett which had a sculpturorer's reinforcement placed on it. To continue the transformation, or translation Petite Titan in Tension-Inferno was also possible to place as a monumental sculpture in the garden using Augmented Reality and the app "Bella Runes Portal". In order to carve out methods of dissiminating my research the processes and methods used in the artistic work were presented through sculptures and archival material organised in a display case lika a cabinet of curiosity- "The thought bubble"

    Download (pdf)
    About The Thought bubble
  • 4222.
    Bärtås, Magnus (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    The Three Great Stimulants2019Artistic output (Refereed)
  • 4223.
    Falkenberg Hansen, Kjetil (Researcher, Creator)
    KTH.
    Atienza Badel, Ricardo (Researcher, Sound designer)
    University of Arts, Crafts and Design, Department of Fine Art.
    Lindetorp, Hans (Researcher, Sound designer)
    KTH.
    Barone, Carlo
    KTH.
    The Fictitious Soundscapes2021Artistic output (Unrefereed)
  • 4224.
    Lundh, Anna (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    ”Towards Disorder / Visions of the Now”2019Artistic output (Refereed)
  • 4225.
    Chartin, Elsa (Artist, Creator)
    University of Arts, Crafts and Design, Department of Crafts (KHV), Textiles.
    Traces of existence: Kattun är Cotton2018Artistic output (Refereed)
  • 4226.
    Gatz, Sebastian (Artist)
    University of Arts, Crafts and Design, Department of Design, Interior Architecture and Visual Communication (DIV), Industrial Design.
    Transmundane Confusion2024Artistic output (Refereed)
    Abstract [en]

    All the works in the exhibition thematizes, in one way or another, spiritual confusion. The West – hungry for spiritual growth / tired of an over-rational scientism which borders on the irrational itself – looks to the East and to its own pre-Christian past in order to find new modes of being.

    Somehow trapped in between new (old) ontologies and its current own capitalist-centric mind frame, the spiritual path of the contemporary truth seeker is filled with almost comical tripping stones.

    One good example of this is Christmas: part Christian, part pagan, part Coca Cola, part spiritual, part commercial. The here proposed works are tongue-in-cheek references to a multifaceted spiritual memory, which is part ours and part someone else’s. They engage the architectural, the ready-made and found, the commercial and the technological in order to emphasize our entangled and complex status quo.

  • 4227.
    Tan, Lisa (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    Trilogi: waves, notes from underground & sunsets2019Artistic output (Refereed)
  • 4228. Linton, Agneta (Curator)
    Zetterlund, Christina (Curator)
    University of Arts, Crafts and Design, The Department of Design, Crafts and Art (DKK), Ädellab/Metal.
    Sandell, Maj (Curator)
    TUMULT: Dialog om ett konsthantverk i rörelse, 10 oktober 2009 - 10 januari 2010 i Gustavsbergs konsthall2009Artistic output (Refereed)
  • 4229.
    Heberling, Rikard (Type designer, Creator)
    University of Arts, Crafts and Design, Department of Design, Interior Architecture and Visual Communication (DIV), Graphic Design & Illustration.
    Typographic Novelties (Iaspis door numbers)2018Artistic output (Refereed)
    Abstract [en]

    Typographic Novelties is a series of door numbers for the Iaspis studios at Maria Skolgata 83, Stockholm. The numbers are modeled after typefaces produced by the Berlingska typefoundry in Lund from the mid-1800s until the company’s closing in 1980. The project is a reflection on how this production was dependent on international networks and in which ways the Berlingska typefaces were circulated, through trade and not least piracy, between various companies and national markets.

  • 4230.
    Mårtensson, Ulrika (Artist, Creator)
    University of Arts, Crafts and Design, Department of Crafts (KHV), Textiles.
    Ulrika Mårtensson2019Artistic output (Refereed)
  • 4231.
    Rune, Bella (Artist, Creator)
    University of Arts, Crafts and Design, Department of Crafts (KHV), Textiles.
    Ulvhälls hällar2019Artistic output (Refereed)
  • 4232.
    Hughes, Every Ocean (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    Uncounted (performance 9)2017Artistic output (Refereed)
  • 4233.
    Rodhe, Einar (Creator)
    University of Arts, Crafts and Design, Department of Design, Interior Architecture and Visual Communication (DIV), Interior Architecture & Furniture Design.
    Norell, Daniel (Creator)
    C-ARC at Chalmers University of Technology.
    Wangel, Josefin (Creator)
    Swedish University of Agricultural Sciences.
    Under Construction: A Real World Fiction2019Artistic output (Refereed)
    Abstract [en]

    Under Construction imagines a city that is constantly being rebuilt using the same stock of materials. At the Triennale, the project is exhibited in the form of a large model, constructed of materials found on demolition sites in Stockholm. Reuse of building materials is not just a problem of logistics and material flows. It is as much a cultural and architectural problem. One of the most persistent architectural conventions is to consider abstract space before objects and materials. Building elements and furnishings should be subservient to a larger whole. This approach is aligned with a view on the world that is inherited from industrialism, in which any materials could be sourced anew and moulded into shape indefinitely. Reuse, as a conceptual approach to architecture, is different in that the starting point is a specific and limited stock of elements and chunks of materials. Each piece of material comes with a set of qualities – a character – that may be amplified, subverted or altered. In addition, depending on the relation between the context of the original structure and the new structure, reused objects may be charged with different cultural value and meaning.

    Under Construction is a fictional neighbourhood constructed from discarded building materials. It begins with a scavenger hunt where we visit demolition sites and collect building materials: fractions of concrete, plastics, bits of plaster board, steel studs, and a sink, and so on. By playing with the scale of this kit of parts, we imagine a neighbourhood constructed from reused materials. Armed with hot glue guns we erect a bustling city with a rich and varied materiality. As structures grow, interiors, furniture and infills between fragments are 3d-printed with recyclable filament.

    Download (jpg)
    bild
  • 4234.
    Norell, Daniel (Creator)
    C-ARC at Chalmers University of Technology.
    Rodhe, Einar (Creator)
    University of Arts, Crafts and Design, Department of Design, Interior Architecture and Visual Communication (DIV), Interior Architecture & Furniture Design.
    Wangel, Josefin (Creator)
    Swedish University of Agricultural Sciences.
    Under Construction: A Real World Fiction2020Artistic output (Unrefereed)
    Abstract [en]

    Under Construction imagines a city that is constantly being rebuilt using the same stock of materials. At the Triennale, the project is exhibited in the form of a large model, constructed of materials found on demolition sites in Stockholm. Reuse of building materials is not just a problem of logistics and material flows. It is as much a cultural and architectural problem. One of the most persistent architectural conventions is to consider abstract space before objects and materials. Building elements and furnishings should be subservient to a larger whole. This approach is aligned with a view on the world that is inherited from industrialism, in which any materials could be sourced anew and moulded into shape indefinitely. Reuse, as a conceptual approach to architecture, is different in that the starting point is a specific and limited stock of elements and chunks of materials. Each piece of material comes with a set of qualities – a character – that may be amplified, subverted or altered. In addition, depending on the relation between the context of the original structure and the new structure, reused objects may be charged with different cultural value and meaning.

    Under Construction is a fictional neighbourhood constructed from discarded building materials. It begins with a scavenger hunt where we visit demolition sites and collect building materials: fractions of concrete, plastics, bits of plaster board, steel studs, and a sink, and so on. By playing with the scale of this kit of parts, we imagine a neighbourhood constructed from reused materials. Armed with hot glue guns we erect a bustling city with a rich and varied materiality. As structures grow, interiors, furniture and infills between fragments are 3d-printed with recyclable filament.

  • 4235.
    Kraft, Adam (Contributor, Creator)
    University of Arts, Crafts and Design, Department of Design, Interior Architecture and Visual Communication (DIV), Graphic Design & Illustration.
    Under the Mirroring Surface2018Artistic output (Refereed)
    Abstract [en]

    In my work I experiment with ‘de-imagineering’ and intervening into the ‘urban commons,’ through practices of altering and re-purposing existing structures. The work is both informal and transgressive in its methodology, with the core intention to investigate and participate in the shaping and making of the city. Art and research can provide keys to accessing such a city in the making; a space where we can challenge the preconceptions of what is possible, and to imagine alternative strategies for the creation of realities. As the concept of ‘imagineering’ suggests; it is imagination-engineering possibilities to hypothetically look behind reality and shape it. Furthermore, I wish to specify ‘imagination,’ as the thought material that potential realities are made from. As the term ‘imagineering’ is heavily connected to its use in the creative economy, I suggest the wordplay of ‘de-imagineering’ (the deconstruction of imagination). I argue that the production of imagination is fundamental for the change of current conditions and should as such be re-appropriated. In this sense it’s an anarchist posture; it denounces everything that cuts us off from and diminishes our own power to act.

    Not only imagination is held in the deposit and account holdings of corporate and commercial actors, but so are many of the tactics that are designed to contest this hegemony. Counter culture is continuously being transformed to fit as capitalism’s sanitizing tool in “redeveloping” cities, co-opted and instrumentalized in processes of gentrification. In my work this manifests the ethical issue of having a practice that risks to end up fueling the dominant system in opposition. A phenomenon that the Situationists referred to as Récuperation; “the activity of society as it attempts to obtain possession of what negates it,” or one could say: how strategies of resistance towards ‘the spectacle’ ends up being a vital part of it.

    Based on this knowledge I’m researching which transgressive strategies, evasive yet present, could be practiced under the Lefebvrian concept of the ‘Right to the City.’ How could they be constructed, performed and shared?

  • 4236.
    Järdemar, Cecilia (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    Tsimba, Freddy (Artist, Creator)
    Une Recontre reformulée2022Artistic output (Unrefereed)
  • 4237.
    Järdemar, Cecilia (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    Tsimba, Freddy (Artist, Creator)
    Une Recontre reformulée2022Artistic output (Unrefereed)
  • 4238.
    Järdemar, Cecilia (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    Tsimba, Freddy (Artist, Creator)
    Une Rencontre Reformulée: Sukali na mungua2023Artistic output (Refereed)
  • 4239.
    Nguyen, Jacqueline Hoang (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    Untitled (Entitled)2019Artistic output (Unrefereed)
  • 4240.
    Pettersson, Katja (Artist, Creator)
    University of Arts, Crafts and Design, Department of Design, Interior Architecture and Visual Communication (DIV), Industrial Design.
    Un-vase2019Artistic output (Refereed)
  • 4241.
    Rune, Bella (Artist, Creator)
    University of Arts, Crafts and Design, Department of Crafts (KHV), Textiles.
    Varje mirakel kräver ett offer-arbete utfört i Västerås: En utställning tillsammans med Jonas Nobel på Västerås konstmuseum2020Artistic output (Refereed)
    Abstract [sv]

    "Varje mirakel kräver ett offer-arbete utfört i Västerås" var en utställning med separata verk av Jonas Nobel och Bella Rune och ett gemensamt textilt verk som skar igenom utställningsrummet diagonalt. Utställningen utgick från Jonas Wenströms (grundare av ASEA) patentbrev,  för "förflyttning av arbete", överföring av ström via 3 fas och transformatorer, som finns bevarat  i Västerås stadsmuseums samlingar. Elekticitetens relation till arbete kopplades genom analoga skulpturer och ett stort textilt verk samman med dagens arbetsvillkor och det digitalas skenbara immateriella varande. Utställningen tänkte på den enorma mängden materia som ingår i de kablar, sladdar, serverhallar som möjliggör vår digitala vardag och hur vi har duplicerat våra kroppar genom skärmtvillingar.

    Download full text (pdf)
    Posterkatalog för utställningen med text av Marianne Hultman
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    Installationsvy
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    installationsvy
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    detalj
  • 4242.
    Rune, Bella (Artist, Creator)
    University of Arts, Crafts and Design, Department of Crafts (KHV), Textiles.
    Vertical Network Performance2018Artistic output (Refereed)
  • 4243.
    Pettersson, Katja (Artist)
    University of Arts, Crafts and Design, Department of Design, Interior Architecture and Visual Communication (DIV), Industrial Design.
    Welcome Back2018Artistic output (Refereed)
  • 4244.
    Hughes, Every Ocean (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    What instruments have we?2017Artistic output (Refereed)
  • 4245.
    Cherinet, Loulou (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    Who learns my lesson complete?2017Artistic output (Refereed)
  • 4246.
    Rune, Bella (Creator, Artist)
    University of Arts, Crafts and Design, Department of Crafts (KHV), Textiles.
    XYZ2019Artistic output (Refereed)
  • 4247.
    Gustafsson Fürst, Johanna
    University of Arts, Crafts and Design, Department of Fine Art.
    Ympa orden, piska min tunga2020Artistic output (Refereed)
  • 4248.
    Fridh, Kristina (Creator)
    Academy of Design and Crafts (HDK), University of Gothenburg, Sweden.
    Laurien, Thomas (Creator)
    Ytans materialitet2009Artistic output (Unrefereed)
    Abstract [en]

    Ytans materialitet (The Materiality of the Surface)

    Project 2006–09. In collaboration with Thomas Laurien, PhD, senior lecturer and designer MFA, HDK-Valand, University of Gothenburg. The project was funded by the Swedish Research Council (Vetenskapsrådet) / Artistic Research and Development (KFoU).

    Abstract:

    In architecture, surfaces are often treated as means of dividing space. Their materiality constitutes the boundary that defines spatiality. But if space is something variable in our consciousness, the surface is also impermanent. In Japanese cultural tradition, space is conceived as a subjective perception, a physical experience and a changeable process.

    The research project, The Materiality of the Surface (Ytans materialitet), sought to examine whether and, if so, how ways of using different materials to form space are connected with different cultures’ conceptions of space. The project, started in 2006, was based at HDK, the Academy of Design and Crafts, at the University of Gothenburg. It was presented in the form of a publication and of an exhibition held from 6 October to 29 November 2009 at the Röhsska Museum in Gothenburg. This multidisciplinary research project combined the skills of an architect and a textile designer specializing in pattern design, which represented a novel approach to the key questions addressed.

    Japanese and European spatial traditions differ. In the Japanese tradition, space is conceived as an open, subjective process that changes from one occasion to another. In The Materiality of the Surface, several architects’ ways of relating to the space-forming uses of various building materials were examined and studied, according to different conceptions of space. The study included contemporary Swedish and Japanese architecture. In the first, more theoretical part of the project, the works of two Swedish and two Japanese architectural offices were examined and compared in terms of their use of materials and spatial conceptions. The Japanese architects and their offices were Kengo Kuma (Kengo Kuma and Associates) and Kazuyo Sejima and Ryue Nishizawa (SANAA). Their Swedish counterparts were Gert Wingårdh (Wingårdhs) and Mårten Claesson (Claesson Koivisto Rune).

    The second part of The Materiality of the Surface comprised empirical studies and investigations through design and laboratory work. This part of the project focused primarily on glass as a building material. It included aspects of glass design – specifically, how to change the perception of materiality with different techniques, such as lamination and screen printing of building glass. Not enough attention has been paid to the complex of problems surrounding climate, light regulation and undesired visual access in all the glass structures that are built today. These problems were also highlighted in this research project.

    The project included design and collaboration with several glass companies: GFAB gemaxglas and Screen Service in Kalmar and Emmaboda Glass, part of the group Saint-Gobain. The glass samples were designed by Kristina Fridh and Thomas Laurien.

    The Röhsska Museum exhibition presented some fifty experiments in building glass. These demonstrated and combined techniques and methods of changing glass’ characteristics by means of laminating layers with coloured, black and white patterns (digital and screen prints), with textiles and metals, and by screen printing directly on glass. The exhibition also included a multi-slide presentation of the four architectural offices’ works to show how materials and materiality have been applied and shaped in their architecture.

    In the exhibition at the Röhsska Museum, visitors could observe and move along the glass samples in a spatial context, in which the samples continuously changed in relation to space, interacting with each other in layers and with light and being experienced from different viewing points. The exhibition had both an inspiring and an educational assignment, and in the publication Ytans materialitet, the experiments, methods and techniques are described, discussed and reflected on, as well as the more theoretical part of the project.

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    Dokumentation
  • 4249.
    Söderstam, Patrik (Artist, Creator)
    University of Arts, Crafts and Design, Department of Crafts (KHV), Textiles.
    Zvanz and Fools gold2019Artistic output (Refereed)
  • 4250. Ekman, Anna (Artist, Creator)
    Järdemar, Cecilia (Artist, Creator)
    University of Arts, Crafts and Design, Department of Fine Art.
    Tsimba, Freddy (Artist, Creator)
    Öppnandet2019Artistic output (Unrefereed)
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