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  • 1.
    Bärtås, Magnus
    University College of Arts, Crafts and Design, Institutionen för Konst (K).
    Biographies2015In: Radical Re Re Re Re Re Rethinking / [ed] Maria Lantz, Staffan Lundgren, Stockholm: Konstfack / University College of Arts, Crafts & Design , 2015, 1 uppl., 96-105 p.Chapter in book (Other academic)
  • 2.
    Bärtås, Magnus
    University College of Arts, Crafts and Design, Institutionen för Konst (K).
    Epilogue: Big ships and small boats2016In: Microhistories / [ed] Magnus Bärtås, Andrej Slávik, Stockholm: Konstfack / University College of Arts, Crafts & Design , 2016, 294-299 p.Chapter in book (Other academic)
  • 3.
    Bärtås, Magnus
    University College of Arts, Crafts and Design, Institutionen för Konst (K).
    Laganda2009In: Expressen, ISSN 1103-923X, no 1 juniArticle in journal (Other (popular science, discussion, etc.))
    Abstract [sv]

    Konstnärer lyder under samma lagar som både plåtslagare och politiska aktivister. Magnus Bärtås underkänner Jesús Alcalás argument om dagens syn på konstnären.

  • 4.
    Bärtås, Magnus
    University College of Arts, Crafts and Design, Institutionen för Konst (K).
    Paradise found2008In: Cabinet, ISSN 1531-1430, Vol. 30, no The Underground, SummerArticle in journal (Other academic)
  • 5.
    Bärtås, Magnus
    University College of Arts, Crafts and Design, Institutionen för Konst (K).
    Script card used in the making of the video essay Madame & Little Boy, 20092016In: Text not necessarily meant to be viewed as art / [ed] Roger von Reybekiel and Julie Cirelli, Stockholm: Konstfack Collection , 2016, 123-124 p.Chapter in book (Other academic)
  • 6.
    Bärtås, Magnus
    University College of Arts, Crafts and Design, Institutionen för Konst (K).
    The Disappointed and the Offended2002In: Cabinet, ISSN 1531-1430, Vol. 7, no Failure, SummerArticle in journal (Other academic)
    Abstract [en]

    My ongoing work, The Disappointed and Offended, is based on reading Sweden’s evening newspapers on a daily basis and finding low-level stories of failure where someone has been offended, hurt, snubbed, disappointed, or otherwise given cause to complain. I reproduce the newspaper’s photograph of the person using the simple technique, often used by children, of dripping molten wax on the image. When dry, the wax is carefully removed with an imprint of the face on it. The wax medallions are hung on long walls from pieces of thread embedded in the wax. A list of printed one-sentence texts nearby tells the stories behind the disappointed and offended faces, thus making the work vascillate between empathy and malicious pleasure. Begun in 1994, the series now has more than 650 portraits.

  • 7.
    Bärtås, Magnus
    University College of Arts, Crafts and Design, Institutionen för Konst (K).
    The miracle of Tensta (Theoria)2016In: Microhistories / [ed] Magnus Bärtås, Andrej Slávik, Stockholm: Konstfack / University College of Arts, Crafts & Design , 2016, 24-32 p.Chapter in book (Other academic)
  • 8.
    Bärtås, Magnus
    University College of Arts, Crafts and Design, Institutionen för Konst (K).
    The strangest stranger2016In: Microhistories / [ed] Magnus Bärtås, Andrej Slávik, Stockholm: Konstfack / University College of Arts, Crafts & Design , 2016, 210-239 p.Chapter in book (Other academic)
  • 9.
    Bärtås, Magnus
    University College of Arts, Crafts and Design, Institutionen för Konst (K).
    Ur fas med folket2009In: Expressen, ISSN 1103-923X, no 10 marsArticle in journal (Other (popular science, discussion, etc.))
    Abstract [sv]

    Varför skiljer sig samhällets förväntningar på konst så mycket från konstvärldens? Magnus Bärtås, professor på Konstfack, svarar på frågan om konstens nytta.

    Expressen 2009-03-10

  • 10.
    Bärtås, Magnus
    University College of Arts, Crafts and Design, Institutionen för Konst (K).
    You told me: work stories and video essays / verkberättelser och videoessäer2010Doctoral thesis, monograph (Other academic)
    Abstract [en]

    You Told Me

    is a practice-based research project and consists of three video biographies (the  Who is…? series), and two video essays ( Kumiko, Johnnie Walker & the Cute  (2007), Madame & Little Boy (2009)), an introduction with a contextualization and methodology of the field, and three essays.

    The dissertation is an observation and analysis of certain functions and meanings of narration and narratives in contemporary art, as well as being an experiment with roles, methods, actions, and narrative functions in an artistic medium – the video essay. Using the methods of“pilgrimage” (Chris Marker) and essayistic practices, and by revisiting and retelling biographies, this work tries to find a place in between collective and personal memory.

    During the practical process and the reflective theoretical work the different elements or instances of the video essay are identified: the subject matter, the images (the representation), the artist/author, the narrative/text, and the narrator/voice. In documentary film the lack of natural correspondence between these entities is often dissolved or denied – this work instead exposes the instances as separate units. A question arises: What alternative roles can be established between these elements, for example by negotiation and transference between them?

    The methodological part of the text focuses on the conceptual invention made during the process, which I have called work story [verkberattelse]. A work story is a written or oral narrative about the forming of materials, immaterial units, situations, relations, and social practices that constitutes, or leads to, an artwork. By discussing analogies between storytelling, collecting, and biographical accounts together with examples from conceptual art, the dissertation shows how the work story is not only crucial for the understanding of the artwork but that the act of making and the very order or sequence in which the making proceeds often have symbolic, metaphorical, metonymical, political, and even epistemological meanings.

    In an extended form a work story disseminates meaning rather than capturing it. This is the essayistic work story that permits a writer/artist to wander off and touch upon a subject as if in passing, reproducing its neglected genealogy and destiny in the detailed materiality of the work story.

  • 11.
    Bärtås, Magnus
    et al.
    University College of Arts, Crafts and Design, Institutionen för Konst (K).
    Ekman, Fredrik
    All monsters must die2009In: Cabinet, ISSN 1531-1430, Vol. 35, no Dust, FallArticle in journal (Other academic)
  • 12.
    Bärtås, Magnus
    et al.
    University College of Arts, Crafts and Design, Institutionen för Konst (K).
    Ekman, Fredrik
    Alla monster måste dö: gruppresa till Nordkorea : ett reportage2011Book (Other (popular science, discussion, etc.))
    Abstract [sv]

    Under brinnande kallt krig kidnappar den nordkoreanska regimen Sydkoreas mest kända filmstjärnepar, skådespelerskan Madame Choi och regissören Shin Sang-ok. De går till slut med på den filmgalne diktatorn Kim Jong Ils krav på att göra regimvänlig spelfilm för att indoktrinera massorna. Först 1986 lyckas de fly under spektakulära former.

    Efter att ha träffat Madame Choi i Seoul åker Magnus Bärtås och Fredrik Ekman hösten 2008 på en gruppresa till Nordkorea för att hitta spår efter filmparet. Tillsammans med interiörerna från resan, där en mycket märklig samling människor reser ihop under bitvis påfrestande omständigheter i ett land som trotsar all logik, blir berättelsen om filmparet till en smart, upprörande och idérik reportagebok som bit för bit suger in läsaren i sitt märkliga universum, in bakom kulisserna på ett av världens mest slutna och hårda länder.

  • 13.
    Bärtås, Magnus
    et al.
    University College of Arts, Crafts and Design, Institutionen för Konst (K).
    Ekman, Fredrik
    The soil eaters2001In: Cabinet, ISSN 1531-1430, Vol. 3, no Weather, SummerArticle in journal (Other academic)
  • 14.
    Bärtås, Magnus
    et al.
    University College of Arts, Crafts and Design, Institutionen för Konst (K).
    Ekman, Fredrik
    Delgado, José
    Psychocivilization and its discontents: an interview with José Delgado2001In: Cabinet, ISSN 1531-1430, Vol. 2, no Mapping Conversations, SpringArticle in journal (Other academic)
  • 15.
    Bärtås, Magnus
    et al.
    University College of Arts, Crafts and Design, Institutionen för Konst (K).
    Slávik, Andrej
    Microhistories2016Collection (editor) (Other academic)
1 - 15 of 15
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  • fi-FI
  • nn-NO
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