An analogy between the social idea of success and the concept: on top of the mountain, using as an interactive and participative method, the activity of climbing mountains. What is success? Why do we climb the mountain? Is there enough space at the top? I try to answer these questions, by sharing thoughts and experiences with other mountain climbers, aiming to find an alternative to values like conquest, dominance, competition, independence and painful sacrifice. Do I have to play the hero to go to the top?These values reproduce a hierarchical structure that is deeply rooted in the patriarchal society, starting with our visual conceptualization of the bottom and the top, ideas on status and an oppressive one-way relationship with nature and other human nature. The final result is a short Film, which aims to reproduce a feeling that has to do with sisterhood, togetherness, care, reciprocity, equality, and gratefulness; based on the utopic idea of interdependence and thinking the top as a transitional space.

What work environment do we encounter as artists? What can our bodies handle? In my artistic exploration, I have taken an interest in the risks we expose ourselves to in our work environment at Konstfack. Everyday life in the workshops brings many examples of the challenges our bodies face. We like to test new technologies, new materials, plastics, and chemicals with strange new properties to deal with. The body, the material, and the work environment have been central in my process, but perhaps above all the question of why we are so happy to ignore the risks we expose ourselves to. How do we deal with the knowledge of these threats on a psychological level? Through sculptural techniques and choice of materials, I have explored the airborne threat, a subject that leaves room for subjectivity. It is the idea of a threat, something abstract and invisible, sometimes tangible, sometimes not. What we choose to believe in can in some cases have a more significant effect than the actual material impact on our bodies. Something that has long been considered healing can suddenly be seen as harmful – a duality that I have expressed in my artistic exploration. The multifaceted experience of these threats has the ability to affect every part of our lives. To give an experience of control, and downplay the subconscious presence of the body's vulnerability we create new behavior patterns or change our entire perception of reality. But what happens if we come to terms with what moves in the subconscious? Can we internalize the knowledge of the body's vulnerability?