Hybridity is a prismatic concept that can be applied in several areas. However; the term has not yet been implemented discursively in the art and design field; nationally or internationally. The visual character of the hybrid is important because it deals with basic issues in the form field that have; until now; been reluctant to thorough description in terms of theory. The hybrid figure reveals and demystifies conventional notions that generally form the basis of image- and form- building processes. This combination provides opportunity to express and articulate distinctions between forms. In this way we can get a glimpse of how we value forms and thus raise awareness of overlooked issues previously perceived as controversial. Among them the idea of the existence of pure (unmixed) or impure (mixed) gestures and that the figures may appear to be frightening or monstrous in that they are not established. The purpose of this paper is to highlight some insights drawn from my artistic practice and the overall project “Notions of a hybrid”. The project aims to reflect on how the terms hybrid; hybridity; and hybridization can help to visualize inarticulate thoughts on how we evaluate and categorize the forms that have not yet been assigned an identity.