What is an architectural object, taken from one place to another for the purpose of reuse, from a point of memory? Can it be seen as an object which connects humans through nonhuman memory, ‘sympathetic magic’ or matter’s own agency? This text explores some fragments of ideas, follows intuitive hunches and illustrates the concept of ‘architectural organs’ by using the architectural typology/archetype of the window— here specifically from a church — and its human use for contemplation.