This paper investigates metaphorical and phenomenological aspects of shimmer, reflection, membrane and movement. By exploring the interface of knowledge through the lens of materiality, the aim is to examine how the plasticity of light and shadows might create animating reflections and dissolving surfaces. Of particular interest is the undefined quality of shimmer and how it can be interpreted as a transitional in-between stage of displaced and fluid boundaries. Further on, the work explores the power of portals – both visually but also in the physical and emotional engagement with materials and techniques.

The installation Mystery of Matter and Magic of Presence  is based upon a dialogical method where the atmosphere might be understood as a space-filling materiality itself. The work expresses the material’s state as well as the ephemeral qualities around it. It offers a counterweight to a hard, violent and narcissistic aspect of the material biographies of metals in general, and aluminum in particular. 

The research consists mainly of sources on Byzantine and Medieval Art history. Sources that also engage with the role of language, poetry and etymology for our understanding of material culture and history.