In this paper I look at my practice and master project through a broader lens – tying it with theoretical concepts in particular that of Rosi Braidotti`s book Metamorphoses becoming woman-animal-insect. I show how my practical and theoretical dimensions meet through the mediums and narratives I work with. Performance and ritual centralize the practice whilst crafted objects and residue is significant in the process using the materials of wood, textile and clay. I have this year introduced gold as embodied practice by eating it- I mention alchemy in that respect as an inward essence. Metaplasm is the title of the master project incorporating the fleshy and linguistic signifier coined by Donna Harraway in The  Companion Species Manifesto, in 2016, as my project unfold into text, performance and crafted sculptures.