With a staring point in personal memories and experiences this project practically and theoretically investigates ways in which informal groups, based on male gender identification, works towards exclusion of those of female gender identification. And how this exclusion creates hierarchies and contributes to the reproduction of a certain type of gender pattern, in which masculinity is defined as an opposite of femininity, and where the masculine needs to be separated from the feminine in order to maintain its masculinity. I've used my own experiences and a theoretical base to highlight situations in my life where this exclusion have become apparent. I’ve worked in relation to a tradition of corpus, where the elevation and ritualistic aspects of objects contribute to my pieces. In making these pieces I have used many techniques, most notably casting, which make my objects a representation of what they are cast after, a repeated form.