This essay proposes to introduce the constructive concepts of the irrational section cut, as developed in Gilles Deleuze's cinema books, to an architechtural audience keen to reinvent notational practices beyond normative habits of representation. An irrational section cut, the term we develop to reposition Deleuzes irrational cut in relation to architechture, recomposes diverse visual forms, challenges the conventions of scale, addles temporal or durational registers, and generally disrupts the normative linkages between things. The action of the cut, as break, as frame, and as mode of momentary capture, in both cinema and architecture, creates interstitial zones that demand of us critical and creative reinterrogation of our local environment-worlds. The ethos of this approach can be aligned with feminist practices reemerging in architecture, specifically through the concept-tool of the feminist design power tool.