In an interdisciplinary setting, participants from the fine arts, physics, design, biology, culinary arts and mathematics met to explore a two-fold project involving nano and haptics. Using methods that interlace macro- and nano-scale phenomena and technologies, we were able to develop a physical, embodied relationship to a world that is far beyond the direct sensation of touch and human interaction. During this three-year project, a core team of participants developed the following experimental approaches and methods: Aesthetic labs, Surrealist games, Nanofabrication, Infectious formgiving, Process video documentation and Performative staging.

With access to nanofabrication laboratories, the team explored form using deposition and etching tools on the tip of a strand of hair as a physical, tangible point of departure. Creating tangible relationships with nano phenomena and creating token imagery makes these invisible parts of our world more accessible and workable on a wider and more visionary scale.

Given the strict protocol in the NanoFabrication Center and the general principle of working flat and clean in such environments, the methods applied by the NanoForm project the haptic approach, the use of dirty human material in a sterile environment and above all the open-ended manner of searching and acting uncovered new territory and gave this project an extraordinary position in the nano research community.