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Fridell Anter, Karin
Publications (7 of 7) Show all publications
Fridell Anter, K. (2012). LJUS- OCH FÄRGBEGREPP och deras användning. Stockholm
Open this publication in new window or tab >>LJUS- OCH FÄRGBEGREPP och deras användning
2012 (Swedish)Report (Refereed)
Abstract [sv]

Det tvärvetenskapliga projektet SYN-TES. Människa, färg och ljus. Syntetisering för ett sammanhållet kunskapsfält har pågått på Konstfack under 2010-2011, med finansiering från KK-stiftelsen (ref. nr 2009/0195). Projektet har omfattat ett femtontal nordiska färg- och ljusspecialister från företag och olika akademiska discipliner. I anslutning till detta har det genomförs ett antal delprojekt kring avgränsade frågeställningar.                                       Detta delprojekt har behandlat begreppsbildning och terminologi kring färg och ljus, där förekomsten av konkurrerande traditioner ofta leder till missförstånd och försvårar kunskapsupp- byggnaden. Delprojektet i sin helhet publiceras i boken Colour and Light – Concepts and Confusions (Red. Arnkil, H. 2012. Helsinki: Aalto University School of Arts, Architecture and Design).                                                                                                             Denna rapport om ljus- och färgbegrepp bygger på Karin Fridell Anters artikel i boken. Texten har utarbetats i nära samarbete med Ulf Klarén och Harald Arnkil. Under arbetets gång har den diskuterats av SYN-TES samlade seminariegrupp. 

 

Place, publisher, year, edition, pages
Stockholm: , 2012. p. 29
Series
SYN-TES Rapport ; 3
Keywords
Concepts, Language, Colour, Light, Lighting, Begrepp, Språk, Färg, Ljus, Belysning
National Category
Specific Languages Other Physics Topics Applied Psychology
Research subject
Arts, Design
Identifiers
urn:nbn:se:konstfack:diva-3333 (URN)
Projects
Projektet SYN- TES. Människa, färg och ljus. Syntetisering för ett sammanhållet kunskapsfält, finansierat av KK-stiftelsen (ref. nr 2009/0195).
Available from: 2012-03-12 Created: 2012-03-12 Last updated: 2020-03-30Bibliographically approved
Arnkil, H., Fridell Anter, K., Klarén, U. & Matusiak, B. (2011). PERCIFAL: Visual analysis of space, light and colour. In: Verena M. Schindler and Stephan Cuber (Ed.), AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011: Conference Proceedings, CD. Paper presented at AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011 (pp. 229-232). Zurich: pro/colore, 2011
Open this publication in new window or tab >>PERCIFAL: Visual analysis of space, light and colour
2011 (English)In: AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011: Conference Proceedings, CD / [ed] Verena M. Schindler and Stephan Cuber, Zurich: pro/colore, 2011 , 2011, p. 229-232Conference paper, Published paper (Refereed)
Abstract [en]

This paper addresses the need for better and more accurate methods of recording and analyzing the visual experience of architectural space. PERCIFAL (Perceptive Spatial Analysis of Colour and Light) is an ongoing project that aims at developing a method of analysis that can capture coherent spatial experiences of colour and light. The starting point for PERCIFAL is a method of visual evaluation of space and light, developed by Professor Anders Liljefors at the former department of architectural lighting at KTH Architecture. PERCIFAL is based on direct visual observations and the recording of these observations by verbal-semantic descriptions using a questionnaire. It has been developed primarily as an educational tool, but we see in it potential for a design tool for professionals as well as for an analytical method for research. The first test results, conducted in Sweden, Norway and Finland, show that the method has significant pedagogical merits and that it allows interesting comparisons between physical measurements and visual experiences of space, light and colour. 

Place, publisher, year, edition, pages
Zurich: pro/colore, 2011, 2011
Keywords
Perception, Interior design, Lighting, Colour Design, Perception, Inredningsarkitektur, Belysning, Färg- och ljusdesign
National Category
Architecture Design Other Natural Sciences Applied Psychology Didactics Environmental Engineering
Research subject
Arts, Design
Identifiers
urn:nbn:se:konstfack:diva-3310 (URN)
Conference
AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011
Projects
SYN-TES- Human Colour and Light Synthesis. (Knowledge Foundation,ref. nr 2009/0195)
Available from: 2012-02-02 Created: 2012-01-01 Last updated: 2020-03-30Bibliographically approved
Matusiak, B., Fridell Anter, K., Arnkil, H. & Klarén, U. (2011). PERCIFAL method in use: Visual evaluation of three spaces. In: Verena M. Schindler and Stephan Cuber. (Ed.), AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011: Conference Proceedings, CD. Paper presented at AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011 (pp. 568-571). Zurich: pro/colore, 2011
Open this publication in new window or tab >>PERCIFAL method in use: Visual evaluation of three spaces
2011 (English)In: AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011: Conference Proceedings, CD / [ed] Verena M. Schindler and Stephan Cuber., Zurich: pro/colore, 2011 , 2011, p. 568-571Conference paper, Published paper (Refereed)
Place, publisher, year, edition, pages
Zurich: pro/colore, 2011, 2011
Keywords
Perception, Interior design, Lighting, Colour Design
National Category
Design Architecture Other Natural Sciences Psychology Environmental Engineering Other Medical Sciences
Research subject
Arts, Design
Identifiers
urn:nbn:se:konstfack:diva-3239 (URN)
Conference
AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011
Projects
SYN-TES- Human Colour and Light Synthesis. (Knowledge Foundation,ref. nr 2009/0195)
Available from: 2011-12-07 Created: 2011-11-25 Last updated: 2020-03-30Bibliographically approved
Fridell Anter, K. (2011). SYN-TES Rapport 1:  OPTIMA: Metodstudie om färg-, ljus och rumsupplevelse,.
Open this publication in new window or tab >>SYN-TES Rapport 1:  OPTIMA: Metodstudie om färg-, ljus och rumsupplevelse,
2011 (Swedish)Report (Refereed)
Publisher
p. 69
Keywords
Perception, Colour design, Lighting design, Space experience, Perception, Färgsättning, Ljusdesign, Rumsupplevelse
National Category
Humanities Design Architecture Other Physics Topics Other Health Sciences
Research subject
Arts, Design
Identifiers
urn:nbn:se:konstfack:diva-3237 (URN)
Projects
projektet SYN- TES. Människa, färg och ljus. Syntetisering för ett sammanhållet kunskapsfält, finansie- rat av KK-stiftelsen (ref. nr 2009/0195).
Note
'OPTIMA-Metodstudie om färg, ljus och rumsupplevelse' är finansierat av Energimyndigheten inom programmet Energieffektivisering inom belysning, projektnummer P32266-1. Projektet har genomförts vid Perceptionsstudion, Konstfack, under perioden mars 2010 – februari 2011. Projektgruppen har bestått av forskare från Konstfack och ljus- och färgexperter från Alcro och Philips. Arbetet har bedrivits integrerat med projektet SYN- TES. Människa, färg och ljus. Syntetisering för ett sammanhållet kunskapsfält, finansie- rat av KK-stiftelsen (ref. nr 2009/0195). Available from: 2011-11-25 Created: 2011-11-25 Last updated: 2020-03-30Bibliographically approved
Fridell Anter, K. & Klarén, U. (2010). SYN-TES: Human colour and light synthesis.: Towards a coherent field of knowledge. In: Pietro Zennaro (Ed.), International Conference: Colour and Light in Architecture, Venice, 11–12 November 2010. Proceedings: . Paper presented at International Conference: Colour and Light in Architecture, Iuav University of Venice, Faculty of Architecture, Venice, 11–12 November 2010 (pp. 235-240). Verona (Italy): Knemesi
Open this publication in new window or tab >>SYN-TES: Human colour and light synthesis.: Towards a coherent field of knowledge
2010 (English)In: International Conference: Colour and Light in Architecture, Venice, 11–12 November 2010. Proceedings / [ed] Pietro Zennaro, Verona (Italy): Knemesi , 2010, p. 235-240Conference paper, Published paper (Refereed)
Abstract [en]

The research project SYN-TES aims at contributing to a theoretical development transforming the field of colour and light into a coherent field of research. This includes the identification of important problems and the development of theoretical and methodological tools for the trans-disciplinary understanding necessary to solving them. Special emphasis is put on the spatial interaction of colour and light in architecture.

The work has the form of seminars /workshops where colour and light specialists from different academic disciplines (six Nordic universities) and companies (light sources, paint, colorimetric standards, window glass) examine different aspects of the problem complex. Sub-projects deal with the epistemology and concepts of colour and light, with methods for analysing colour and light in existing architectural spaces and with the relationship between energy efficiency and light quality.

Place, publisher, year, edition, pages
Verona (Italy): Knemesi, 2010
Keywords
Light perception, Colour perception, Space perception, Trans-disciplinary
National Category
Architecture Design
Research subject
Design
Identifiers
urn:nbn:se:konstfack:diva-3315 (URN)978-88-96370-04-9 (ISBN)
Conference
International Conference: Colour and Light in Architecture, Iuav University of Venice, Faculty of Architecture, Venice, 11–12 November 2010
Available from: 2012-02-02 Created: 2012-01-19 Last updated: 2020-03-30Bibliographically approved
Fridell Anter, K. & Klarén, U. (2009). NEUTRAL GREY – AN ABSTRACTION?. In: AIC 2009 Editorial Committee:Dianne Smith, Margaret A. Pope, Nick Harkness, Paul Green-Armytage (Ed.), Proceedings of the 11th Congress of the International Colour Association, AIC 2009. Paper presented at The 11th Congress of the International Colour Association, AIC 2009, Sydney, Australia 27 September to 2 October 2009 (pp. 1-4). Sydney: The Colour Society of Australia, Inc. September 2009, Sydney, Australia.
Open this publication in new window or tab >>NEUTRAL GREY – AN ABSTRACTION?
2009 (English)In: Proceedings of the 11th Congress of the International Colour Association, AIC 2009 / [ed] AIC 2009 Editorial Committee:Dianne Smith, Margaret A. Pope, Nick Harkness, Paul Green-Armytage, Sydney: The Colour Society of Australia, Inc. September 2009, Sydney, Australia. , 2009, p. 1-4Conference paper, Published paper (Refereed)
Abstract [en]

This paper presents part of the research project Greyness and spatial experience. Its main objective is to discuss the concept of neutral grey and to investigate the preconditions for perceiving neutral grey colours in different situations. Neutral grey is defined as having similarity only to black and white, not to the chromatic elementary colours.

Greyish colour samples have been observed with different backgrounds and in different light. One of these series is presented in detail in the paper, the conclusions from others are considered in the discussion, together with relevant literature. Greyish colours are seldom perceived as neutral, but rather tend to get a perceived hue, which depends on the observation situation. Inherent neutral grey colours are not found in nature. In production of materials and artefacts no tolerance level can assure a total lack of hue.

In conclusion we suggest that neutral grey should be considered as an abstraction, its unique but in practice unobtainable quality lying in its absolute lack of hue and chromaticness. 

Place, publisher, year, edition, pages
Sydney: The Colour Society of Australia, Inc. September 2009, Sydney, Australia., 2009
Keywords
Perceived colour, viewing conditions, unique colours, Uppfattad färg, unika färger, upplevelse
National Category
Architecture Design Applied Psychology
Research subject
Arts, Design
Identifiers
urn:nbn:se:konstfack:diva-3309 (URN)1877040 76 2 (ISBN)
Conference
The 11th Congress of the International Colour Association, AIC 2009, Sydney, Australia 27 September to 2 October 2009
Projects
Greyness and Spatial Experience/ Konstfack, Research and development in the arts
Available from: 2012-02-02 Created: 2011-12-31 Last updated: 2020-03-30Bibliographically approved
Klarén, U. & Fridell Anter, K. (2009). The Spacious Greyness: On Colour Light and Space. In: AIC 2009 Editorial Committee:Dianne Smith, Paul Green-Armytage, Margaret A. Pope, Nick Harkness (Ed.), AIC 2009 Proceedings of the 11th Congress of the International Colour Association Sydney, Australia 27 September to 2 October 2009: . Paper presented at the 11th Congress of the International Colour Association Sydney, Australia 27 September to 2 October 2009. Sydney: The Colour Society of Australia, Inc. September 2009, Sydney, Australia.
Open this publication in new window or tab >>The Spacious Greyness: On Colour Light and Space
2009 (English)In: AIC 2009 Proceedings of the 11th Congress of the International Colour Association Sydney, Australia 27 September to 2 October 2009 / [ed] AIC 2009 Editorial Committee:Dianne Smith, Paul Green-Armytage, Margaret A. Pope, Nick Harkness, Sydney: The Colour Society of Australia, Inc. September 2009, Sydney, Australia. , 2009Conference paper, Published paper (Refereed)
Abstract [en]

In the project Greyness and spatial experience1 we have studied visual qualities in grey/greyish colours “on location” in the - spatial - world around. We have carried out a number of observation series not only aiming to investigate variation of greyness in different spatial situations but also to develop a methodology and equipment for such studies. In this paper perception of greyness is discussed in relation to our own observations and to scientific and scholarly references. We make some basic reflections on colour in spatial context and in relation to traditional colour theory.

In spatial context colours with low chromaticness, near the grey-scale, play a more significant role than distinctly chromatic colours; hence they are very important in design of built spaces, both exterior and interior. The logically balanced distribution of greyness in shadows and in surfaces against the light produces a spatial feeling of coherency, and greyish inherent colours generally form a subordinated background to colours with high chromaticness. Simultaneously greyness to a high degree conduces to differentiation of spatial experience; an over-all spatial experience of greyness normally offers subtle but distinct contrasts of hue.

In the field of colour most scientific research deals with colour phenomena as such. If focusing on colour as spatial phenomenon, colour theory can be given theoretical connection to intuitive understanding of the world around and be part of a wider field of aesthetic research. 

Place, publisher, year, edition, pages
Sydney: The Colour Society of Australia, Inc. September 2009, Sydney, Australia., 2009
Keywords
Space experience, Light, Colour relativity, Colour theory, Visual perception, color and light experience, Rumsupplevelse, Färg- och ljusrelativitet, Färgteori, Visuell perception, färg- och ljusupplevelse
National Category
Psychology Design Architecture
Research subject
Design
Identifiers
urn:nbn:se:konstfack:diva-3307 (URN)1877040762 (ISBN)
Conference
the 11th Congress of the International Colour Association Sydney, Australia 27 September to 2 October 2009
Projects
Grey Colours and Spatial Experience/ Konstfack, Research and development in the arts
Available from: 2012-02-02 Created: 2011-12-29 Last updated: 2023-03-20Bibliographically approved
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